Author: Robert Hugh Benson, Introduction by Mark Bosco, S.J.
Publisher: Ave Mari Press, Inc, P.O. Box 428, Notre Dame, IN
Copyright: 2016, ISBN: 0870612985
Cover: Katherine Ross, Andy Wagoner
Review: Lynard Barnes, February 3, 2017
Summary: In 1917, the world gives up on capitalism and essentially gives up on Christianity in the 1920s. Seventy years later, the world is ready for a humanist leader and he appears when East and West are on the verge of war. In this 1907 apocalyptic novel, the emphasis is not on events but on spirit. It soars in a way even the author probably did not realize. You might want to read the book before reading this extended review about current conditions in America.
Reputedly the first dystopian novel published in the twentieth century, LORD OF THE WORLD comes with a few caveats. First, it is a novel by a Roman Catholic of England written with Roman Catholics in mind. This undoubtedly is why, in 2015, Pope Francis advised reading it. Second, it was written when panoramic scenes were conveyed in words, not images. Hence, the writing flows along with scenic descriptions reducing the pace of the story to a crawl.
Despite the caveats the book is a work of uncanny insight. It is also a work of uncanny failure. Any book about the end of the world, or at least the end of a historical era, is bound to miss something. Usually it is something big. LORD OF THE WORLD misses something big.
Author: John E. Brandenburg, Ph.D.
Publisher: Adventures Unlimited Press
Copyright: 2015, ISBN: 1939149381
Review by: Lynard Barnes, 24 December 2016
Summary: And you thought the face on Mars was a case of pareidolia. According to Dr. Brandenburg the face on Mars is indication of life on Mars that arose during the same time as life on Earth. He makes a very strong though fanciful circumstantial case.
The last book I read about the rock formation on Mars which some saw as a humanoid face was Stanley V. McDaniel and Monica Rix’s CASE FOR THE FACE: SCIENTISTS EXAMINE THE EVIDENCE FOR THE ALIEN ARTIFACTS ON MARS. Written in 1998, the book was based on the 1976 VIKING 1 orbiter imaging of the Mars Cydonia region. DEATH ON MARS takes the story forward with photo examinations from more high-resolution cameras like the MARS GLOBAL OBSERVER. These later images convinced most that the face was an optical illusion, simply a play of light upon rocks. Most were convinced, but not all.
Brandenburg rips into the Jet Propulsion Laboratory–JPL, the robotic exploration people–and the National Space Aeronautics and Space Administration (NASA) contractor, Malin Space Science Systems (MSSS). After the original VIKING 1 photos, the subsequent high-resolution images of the Cydonia region were taken at oblique angles, grossly distorting the overhead images derived from the originals taken by VIKING 1. The results were pictures of featureless rocks setting in a desolate landscape. Dr. Brandenburg however cites the work of Mark Carlotto’s enhancement of the images to confirm the original conclusion based on the VIKING images. Thus, he successfully resurrects the case for a face on Mars. Proving the case for the face on Mars is only on aspect of this book however.